‘It’s something that comes out of a slightly twisted desire, which, for that matter, makes for a rather twisted way of walking. I suspect that it has its origins in the minds of the designers, designers who have pushed the limits, who were imagining an extreme woman.
‘Everyone has fallen for it, women’s magazines first and foremost. Nowadays, a silhouette must be strong; it must create an effect, make an impact – all these powerful words.’
Catherine Deneuve, one of film's all-time sex-symbols charred the high heel in the Roger Vivier book. She stated that she much prefers a more demure heel, something that Vivier is the master of.
‘A simple, well-made shoe with the perfect arch is such a pleasure.
‘It makes us walk differently; we feel free, emancipated, as if we can deal with life’s challenges. You must remember that in the 1960s, high-heeled shoes were for women of ill repute. They were reserved for those who were obliged by their profession to live up to a caricature.
‘Do women today really want to make caricatures of themselves?’
In Belle du Jour she deliberately chose for her character to wear mid-heel shoes by Vivier for her portrayal of the housewife-turned-prostitute. Although the initial reception was rather negative, mid-heels soon rocketed in sales. Once again, mid-heel and block-heels are making a comeback in the fashion world. Is it possible that we're getting sick and tired of uncomfortable sky-high platforms?